eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la call’s music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la calles music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

yellow machines latest release brings us into futuristic sci-fi territory with four slabs of bass heavy electronics. scanones original track >andromeda< is pure science fiction electro, where thumping drums collide with hoovers and twisted emotive space melodies. radioactive mans remix cuts straight to the chase with a full on robotic electro bass workout with wonky undertones, guaranteed to smash the floor. adjs remix is stripped back, intelligent and heavy, with intricate glitch patterns denoting uality future music. finally, sync24s remix is a minimal, dark and menacing beast, demanding heads down in the crowd, and watch out for the sub.

leave it up to fulvio to bring the heat with >pandemonium<, the latest ep by the wishmaster!bringing hardcore essentials with a solid intent to disturb and destroy, the wishmaster raises the bar to a new level.
dropping kicks and rocking vocals from left to right and back, these beats and melodies are shattering tools for the impatient. brought with italian elegance, >pandemonium< and >oldschool trip< set the stage for some serious dance-floor antics. the 2 upbeat stompers are joined by mid-tempo bash >back 2 classic<. presenting subtle flashbacks from a hardware driven age, neatly packed in an up-to-date statement.
if you had one chance, what would you wish for?

the crowd is guaranteed to jump to this stunning floor shaker from the groovemaster echonomist! this special edition one sided 10 inch release is a must have for all vinyl junkies!

stainage steps into 2012 with a change in tactics and a shift in style. the half step gloom leaves the cocoon to morph into a more mature sound where glittering garage and future house take the spotlight on the dance floor.

a good feeling starts if the first drumsounds of >feel so good< find your way from the boxes in the space. the head own style drawers belonging open in the half dozen and argue about the most correspondent blueprint. house? in any case. disco? unfailable to hear influence. electro? also not to dismiss this. dub? the father of the whole atmosphere. cosmic? also this is a part of the authoritative ingredients in the here available circle of the sounds. and the dance floor suction strengthening cow bells are anyway a tight of a track element of all last music generations! quintessence is, here two artists have poured your wide motley collection in influence in the form of a single track, have condensed and with it have interlocked at least 40 years of dancefloor history in fresh kind with each other.

the golden gate ep is dedicated to powder & louders favourite club: the golden gate in berlin. the infamous golden gate is well known at berlins party people and rumoured to be opened the whole weekend long. the chosen two, who are golden gate residents at the fish n slips night, created the zeit ist gate anthem in their unique style. next up is der e-kreisel, owner of spoiler music and great live performer. his funked up welcome to golden gate is a nice peak time roller and will heat up any frozen dance floor around. funkenstroem from symbionten/symbiont-music comes with a deep tech house version of der e-kreisel’s welcome to golden gate song. the symbioten are well known in berlin’s nightlife for hosting great nights (and mornings) at golden gate and releasing quality underground music!

ultraphat prime time uk techno , incl truncate remix. decks tip , without any doubt :: this one is a floor monster

influenced and inspired by new techno tendances, skryptöm records present a fresh and avantgardist techno music.

the first reference of subsequent records ltd on vinyl format, by the owner luis ruiz, promoter of the old school techno sound of the new millennium. the ep contains 4 tracks strictly analog, based on tr-909, thought on the dance-floor. the techno in all the forms, through euphoric style, dark and melodic structures of detroit techno.

huge remix action of two previous releases on the very excellent japanese life on recordings run by tearz. here we have his two original tracks islero and miura remixed by stephane signore, s.p.t, tim baker and stereo jack all in a floor-filling club techno style but each putting their own individual stamp on the track.

disco deviance is coming straight outta chicago for their latest release as legendary dj and edit supremo rahaan wields the blade on two lost disco classics. proceedings kick off with the looped up chicago-style boogie of >make me whole<, a groove that is 100% guaranteed to work the dance floor. while over on the flip, rahaan digs even deeper into the crates and comes up with >shut up & rock me< an absolute dance floor bomb of a cut! lovingly edited and re-mastered for modern floors.

following the stunning album that (finally) surfaced on tirk records last year, seventeen-piece live disco band escort arrive on sister label nang via red music by popular demand with two of the most prevalent cuts from the album, cameleon chameleon & starlight, remixed by anglo-japanese powerhouse max essa, and red records label boss and ilija rudman. ilijas cut of cameleon chameleon is as funky as they come, enveloping strains of the originalin his silken synth work and driving dance-floor percussion. edits of adeline micheles vocal hook are teased in throughout, beautifully done but never deriving from the fact that this is strict dancefloor stuff. next up, max essa delivers a stomping rendition of long time favourite, starlight. his cut stays true to the original, retaining vibe, funk and feeling, but giving it that subtle injection of house that is just made for peak time at the dance. if you like your disco live, the escort collective has a couple of uk dates penned in for march / april 2012, so keep em peeled!

from the back catalogue of the label, we lovingly remastered several of our favourite tracks from our vast selection of quality authentic house music. the artists involved on this release have all made huge contributions to the genre, each of whom have enjoyed commercial success from the music they create, but still choose to make quality underground house. these dance floor bombs were first released between 1997 – 2001, please enjoy!

south american label woods n bass unveils its new vinyl-only imprint, woods n bass limited, with wet feet by will azada and piltdown sound. the title track, wet feet, is a forward-looking slice of tribal minimalism that encapsulates the ethos of the label with its dubbed-out, winding hook, thoroughly drenched in dirt and brooding overtones. on the flip, piltdown sound goes solo with rbml, a detroit-esque piece that relentlessly works the floor with its twisted organ and chord stabs trading places for dominance. tying up the release, will azada amplifies the sleaze-factor with the driven bass and tweaked synths of slangin low. living up to its name, wet feet, is just the beginning for woods n bass and its new vinyl series, and promptly received enthusiastic support from influential global techno tastemakers raiz, seph, jeroen search, samuli kemppi, and detroit techno militia to name a few.

feted kosmische synthesizer wizards from cleveland oh, emeralds, have never had any of their music remixed before. let alone having the title track from their acclaimed 2010 album reworked (twice) into a floor-filling behemoth by daphni (aka dan snaith aka caribou). >we toured together in 2010 and since then ie always wanted to play their music in my dj sets. so i did my own version of this track<, says snaith. >is one of those tracks that whenever i play it i can feel the energy in the room lift.< luckily emeralds were equally enthusiastic and so this unlikely hybrid see the light of day. …or rather the dark inside of a club.

if it would not be so cold outside, the latest shot of insistmusic would become an instant party classic. what ping! from thuringia have delivered this time at least definitely feels that way. the third edition of the frankfurt based vinyl label presents an intelligent, groovy techno: predictable enough to entrain, diversified enough to pleasantly surprise. the opening track depature marches across the dance floor, picking up the playful dancers with its funky offbeat elements in the beginning and taking them on an,ecstatic journey with its cleverly placed breaks. in the remix by label mate sascha sonido depature catches a touch of tribal techno moving the track with its vocals like rolling sound figures a good bit further into the house cosmos.

endless flight happy to announce talented young producer in vienna roman rauch. i listened the demo at the flat of friend in vienna and asked him to contact to roman immediately. all i need on a side is super cool detroit house sound. its musical and simple and massive on dance floor. feelings on b side is bit slower and melancholic. its not new sound at all but simply good music. you cant miss it.... roman is going to release another 12 inch on philpot in the summer, so he is going to be new star.

after releasing some cross-eyed dance floor burners on district of corruption, little helpers and bar25, pablo roman alcalá aka beaner brought some seriously sexy bent grooves over to brooklyn for those ever lasting late night benders. his first ep for thema was a dark and tangled ode to the drug-addled prose of author, denis johnson, which was well received by a slew of various deranged djs. this time he returns to stake his place on the dance floor with four deep, fractured after-hours jams. the name mixed doubles is apt, as youll find the pairings of unlikely elements on these tracks aligning nicely… before they are slowly pried apart. of course, thats when things truly get interesting

house floor killer !!

reset robot returns to truesoul with another four-track ep of smoldering rhythms and wonky deepness that can be categorized as belonging somewhere between techno and tech house. the product of an extended period of a&r ping-pong, the result is a collection of tracks that has to a great extent tailored the natural range of reset robots sound to the requirements of beyers vision for truesoul. mechanical but groovy, moody but danceable, all four tracks have the subtle energy and intricate details required to move the floor whether it be as part of a tone-setting opening set or late on at the after-hour

daniels stocked the bar, rigged the lights, fed the smoke machine and is ready to welcome us all into room 5 with his brace of new tracks. two polished dance-floor tools in the shape of his and adam ks >in the vibe< and the solo cut >wash the dish<.

dustin zahn with his own interpretation of techno... four proper techno remixes... a bad ass behind the decks, and in the studio since 1998...his productions ended up on some bigger techno labels as well as more obscure imprints. along with ian lehman, he forged the well-received attack people live performance… bringing his show across the us, to south america, and europe as well. when he is not on tour with his dj sets or supercharged live pa sessions, he co-promotes some of minneapoliss biggest techno parties. in addition, he also manages his labels abiotic recordings and enemy records, which both receive wide support from the techno community.

autoreply offshoot stuga musik welcomes back apoena, who hails from porto alegre, capital of the rio grande do sul state in southern brazil. his first 12 inch for stuga musik - falando serio - was championed by the likes of baby ford, willie graff and jus-ed among others, the latter proceeding to release the self-titled apoena album on his own underground quality imprint earlier this year. as an accomplished musician of many instruments and nationally renowned reggae artist its no surprise he knows a thing or two about making a killer record. here he steps up with >mover<, a warm, hypnotic floor-workout that references the early pioneers and is equally suited to peak time or early morning play. on the flip >cooler< displays layer upon layer of colorful emotion whilst showcasing the artists love for vintage keys and analogue synthesis. enjoy!

repress 2015 ! umami who claim to make songs not tracks come up with their first solo ep. after collaborations with aka aka and niconé and their latest remix on shaker plates they hoist sails and push their style one stop forward with >conquer the night< on a1. thats >all what you get< (a2) from umami: driving, funny but still eclectic tech house in a fresh sounding garment. the ageless synth line of >sunshine and godzilla< (b1) will drive the crowd crazy for sure and with >kukukuku< on b2 they proove that finnish lullabies also work on the dance floor. this surely tastes a lot like umami

sometimes things turn out different than planned. that also applies for remixes one does for other labels: >the lost remixes< features two personal favourite remixes by sascha dive, now seeing a release on vinly for the first time. side a offers a gentle & laid-back remix for neggheads >being< that warms-up every dance-floor just like a sweet summer breeze. sascha dives remix for the basil classic >time to be free (free world)< on side b is a lot more four to the floor and with its almost epic groove yet proven another track that you’ll hear in clubs at any time of the night. listen up!

gui borattos dark 2011 masterpiece >iii< was brimming with deft highlights, but not every one of them was aiming at the floor. showing his expertise in more than one style, the brazilian producer wove an intriguing web of beats and sounds that even surprised his most dedicated fans. >destination: education<, a slightly saturnine rhythm study featuring the return of guis wife luciana on vocals (who also sang on the classic >beautiful life< from debut album >chromophobia<), now gets pushed into the spotlight by dancefloor gurus terranova and tale of us, both tweaking the track to its optimal danceability. a must have for boratto zealots and crowd-sensitive djs alike, this 12 inch presents two heavy-duty bangers tailored to every partys needs.

the second format b album is booked as a big success. as a consequence the big round of remixes has been called out to which the friends from the house of formatik have been invited to. sébastien léger attacks >atomizer< with a cumulative bang like a horde of sedulous ants which are anxious to nibble on the already major sound-board to the total peak-time inferno. big-time! the intro track not only is being picked up by andhim who made out of the chill-out peace a capital dance-floor floater, also super flu casted the spherical peace for their remix. but not only the melody of >desire< has found application in their >two for one price< remix, the vocals from >liquid< as well nuzzle into the complex produced remix arrangement of the two >hallenser< to endow the hole ep the pop-crown.

adjunct is back with force with its first piece of vinyl in 3 years! for adjunct23 we have label boss apendics.shuffle teaming up with the legendary mr. c for a dance floor masterpiece titled >something strange<. this is mr. cs first time spewing madness for adjunct and he needs no introduction, from the shamen to superfreq, you know him. this will be the party jam for years to come, mark our words! on remix duties we have the canadian berliner mike shannon giving us a slab of juicy juicy dope on wax that is sure to trip out the most trippy of folks with a disgusting techy housey dub of >something strange<. also on board is uks affie yusuf, from house of 909, slowing down the pace, kicking down some dirty water funk and laying it out for all you nutty ass muthafuckers! get it? got it? good! we do hope you enjoy, we sure do!

stereofunk, the guy from dresden, is back with a new single on coco machete records called >el patron<. this is the second single from his upcoming full length album >radio robotic< due out next month. >el patron<, following last summers smash >get off< featuring d secret svc, is all hands-in-the-air, revved up dance floor sensuality for the electro disco generation. between the funk bass line, rising pianos, italo synths and imperative vocals, >el patron< just wont let up until you are hooked. >el patron< is the boss. but thats it for now folks, we hope you have enjoyed this sneak peek, stay tuned next month for more >radio robotic<.

in the last couple of months the names taiki & nulight should have come across your paths. these 2 artists have been gaining respect from the likes of skream, benga, n-type, mistajam (and many more) and are set to blow up any time now. and because subway likes their beats fresh and new they are kicking off with these boys their very first release entitled the coming up ep. coming up is a 100 procent to the floor slammer wich sees the dubstep sound merging into more clubby territories. the 4x4 beat and soca influences make this track a unique piece of work that not alot of people can resist. get on this and get those ladies shaking their rear ends because once they start a skanking the men will follow. pure takes it back to the dubstep vibe we all know and love. a hefty skanker that will deplete any raver from any energy it has left. tearout basslines and insane switches make this one track that will destroy any dance! impulse is one of t&ns early productions but is not a letter track for that matter.its a mean destructive stomper that shows why these guys have been picked so early on by the subway label. it pounds,it shakes, it rattles & it wobbles. a deadly combination!watch out for more t&n releases coming up really soon on subway and labels like benga beats, sin city to name a few! play support comes from: skream, benga, n-type, walsh, mistajam, antiserum, unitz, dream, laxx, megalodon & tonnes of others!

metropolitan recordings presents another extremely limited series (only 250 copies) and this time uses the input of two beautiful voices. re-tide is a mysterious new project of which you will hear very soon! the luthers sound is very very house, as to celebrate the 90s. sylvia is a real funky bomb, useable for any dance floor around the world. the sound is right, have fun!

hissy fit is the brainchild of the moustache mamas, part berlin, part london composed of a us east-coast sensibility and a uk north east sense of humour. its a vehicle to be able to work with the artists and release the music they love, to give something physical (yes all releases will be pressed on vinyl) to the people that spend all that time dancing when the girls are djing. the mamas have then built up a reputation of being grade-a party starters across europe, playing at the rawest of parties, and outshining some of the boys in the boys club. their approach to djing is mirrored in their approach to starting hissy fit, the girls are serious about their music even if the music itself doesnt need to be serious. for its first release hissy fit welcomes aboard leeds based >death on the balcony<. this year they have been cosying up to the likes of soul clap and the wolf and lamb posse, as well as being booked to play all over the damn place causing hissy fits of epic (yet joyous) proportions. the ep contains three originals, and kicks off with >every time< a synth-laced house jammer that brings in the clap & the punch with just the right oomph for the kids on the floor.

the impeccably talented organ grinder returns to the catapult records fold, with, believe it or not, only his 2nd solo single to date. the artists first sell out release obsession gained him some serious global attention with steffi charting the title in her 2011 end of year round up for clone. the organ grinder introduces vocalist jessy allen who will be a familiar name shortly with appearances on what i want by crst (forthcoming on valve records) and will also make an impression with her vocal contribution on the fourth studio album from high contrast the agony and the ecstasy on hospital records. for this outing he offers a simple and accessible track with an anthemic scope whipping up a combination of some serious teutonic funk and floor friendly, party-wise golden era of house vibes.

the second offering on hcs from the mighty rotterdam based duo. again duplex drop bombs with their signature state of the art inner city techno. clearly playing with their love for the motorcity but always pushing the boundaries of what we like to call harbour city soul. 3 tracks ranging from beautiful deep electro to floor killing techno tracks. highly recommended!

we are proud to present our release number 29:three precision techno tools from the hand of veteran producer kike pravda,including a remix by oscar mulero.queen of the damned opens the record with tight drum work, subterranean atmospheres,accurate synth sounds and a structure in constant evolution that make of this track a definite hit on the dance floor.on the b side,oscar mulero reinterprets anthropic using detroit style keyboards,razor sharp hi-hats and a sibilant ambience.a track devised not so much for the mind, but for the body.the original version of anthropic closes the release with hardened rhythms,dynamic roland 909 sounds,together with deep and changing arrangements that keep tension up for the duration of the piece.

new label sunkissed records brings you the first in a series of fantastic compilation 12inchs featuring choice balearic moments from different artists with the spotlight focused this time on blues rockers fleetwood mac. kicking off the beach party is arthur bakers incredible extended dance version of the mac classic >big love< that became an staple at the early ibiza parties as did the next track >ricky<, a lost 7 inch b-side also caned on the white isle in the late 80s. finally on this side is the more up-tempo disco-tinged >keep on going< keeping the floor moving. kicking off the b-side is the mesmerisingly dreamy groover >hypnotised< a true balearic classic followed by two more sunkissed delights, the sublimely sensual >brown eyes<, and finally >world turning< a bluesy stormer with some amazing percussion that also found much favour in ibiza. an essential slab of vinyl and a must-have for that perfect sunset record box.

as a team, we have renewed our brand and identity: we have grown strong as a musical family, so our name has grown too and become polegroup.for our 11th release, sound architect reeko brings us once more an ep made up of conceptual techno, which is suitable for the dance floor as well as for a quiet listening. he has created three tracks that concentrate on sonic details without neglecting its powerful rhythm.

polluted017 is a tech house 4 track ep from joel enzo. the projects take inspiration from the artist move to berlin and the new choice of life in such a city. the solid beat programming and synth melodies makes all 4 tracks very catchy and for the dance floor. the tech house style of this artist it is pretty unique from influences such as booka shade and general get physical releases but mostly from the deep and dark german tech house. for this release there will be a 5th track for promotional purpose only and will be free to download on the artist soundcloud page from the date of release.

marc miroir teams up with andreas henneberg (voltage music), >faces< is the first single release of marc miroir s debut album >hitting home< and already djs secret weapon. the result of this killer collaboration is an exquisite tech-house floor-bomb with the miroir typical deep groovy bassline, most serious flutes, strings and delayed percussions.
on top there is a great remix by frankfurt based einzelkind, who is well-known for his collaborations with christian burkhardt. this 12 inch comes with the new paso artwork, and is the perfect tease of what can be expected from marcs album debut >hitting home<.

italian house producer nicholas checks in with his first full solo outing for the home taping imprint. all the tracks have his trademark sound that fuses a love of disco with the feel of early ny house music to produce a strong and heavy brew that is perfect for the dance floor. 100% house music.

cool phreakin and spooky real electro bombs... anthony rother style

breaking-through in berlin is not an easy task and that is exactly what mike wall, the latest artist to join the hidden recordings family is doing with a remarkable release showcasing the versatility, artistry and pure soul that goes into making music for the big room. mikes talent first came to hidden recordings with his darker, jacking rendition of 014hr m.a.d.a. + planktons >antiz<. additionally, his inventive, high octane jams have found themselves on such high profile labels such as sleaze, on and on and pluseins. additional firepower enlisted for thre release comes two men who we deeply admire. the first is somebody who is making us re-think the boundaries of techno, the elusive and mysterious xhin from stroboscopic artefacts and clr. the second comes from splatter, with his evil and dark chugging glitched out trade-mark sound that will tear up danceflooors and leave you shaking in all the right ways. the combination of the originals and remixes will also be getting the deluxe vinyl treatment that followers of hidden recordings have come to expect – watch for it in february. we are proud and excited to share this one with you as we believe mike wall is a diamond in the rough. use these wisely to get your dance-floor moving and feedback is encouraged and welcome.

upon.you’s next release steps out of europe and into the americas with a timeless ep from brooklyn natives tim xavier and camea. tim, a passionate producer and co-owner of manmade mastering in berlin, has teamed up in full force with camea for this stunning work, who is the owner of one of america’s most successful techno labels: clink recordings. camea has driven herself onto international stage in recent years and is touring around the world as a successful djane. the a side, brooklyn sunset 1989, is an emotionally charged piece stemming from vintage 80s melodies and broken drum patterns, epically beautiful and romantic. in contrast, the b side features man vs. universe, a dance floor driver that uses tims powerful percussive techniques to achieve an energetic crate essential. the duo takes things down for the last two installments, diamonds hitting the groovy a.m. spot.

kresy should not be a stranger for those who have been following hivern for the last couple of years. real name alejandro rodriguez,this young producer from asturias landed in the label with many man (incl in hivern a lestiu ii), a track that wisely matched deep-house dynamics with hip-hop vocals to become a quite unexpected underground floor-burner, getting regular plays by the likes of four tet or john talabot. now, were thrilled to introduce you lords of percussion his first fully own release on the label and first-ever vinyl output.

after a prolific 2011, punch drunk jump straight back in to action in the new year with the searing percussion of new signing tessela. direct from his debut for dublins ever impressive all city label last year, tessela joins the ranks of punch drunk to kick start the year in fine style. with a signature razor sharp rhythmical workout and erupting molten subs, lead track >d jane< unleashes richter scale tremors unto the dance. without a pause for breath, the greased rolling funk of >channel< keeps the pressure at boiling point with its dnd / menta style bass line swagger and punctuated chops. two devastating dance floor tracks that make for an impressive punch drunk debut. expect to hear a lot more from tessela in 2012.

internal sync are jackspot and calapez, a portuguese duo that made fame within a short period of time. on fortek their deep techno cut “dif dif”. a rough bassline supplies for the bounce and the minimal drum programming hits the spot. the duo go crazy with a housey juno-esque synth, a floor banger for sure. on the b-side we have fortek wonderchild “mr. stefan tretau” on remix duties. he takes dif dif into even deeper territories adding a tech-club feel a la ame and charles webster. the mix slowly builds and builds. a wonderful voyage.

disco connoisseur and edit maestro ray mang is back with a killer release for the disco deviance imprint. lock & pop is a heavy slice of body popping, good times boogie that is guaranteed to get the party started. while on the flipside, viva las vegas is a hands-in-the-air style disco bomb that will drive the dance floor crazy. lovingly edited and re-mastered for 100% disco action. enjoy the music!